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  4. El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017
 
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El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017

Journal
Studies in Spanish & Latin-American Cinemas
ISSN
2050-4837
Date Issued
2021
Author(s)
Díaz Cerveró, Elba  
Escuela de Comunicación - CampGDL  
Dominguez Partida, Gabriel  
Escuela de Comunicación - CampGDL  
Type
Resource Types::text::journal::journal article
DOI
10.1386/slac_00047_1
URL
https://scripta.up.edu.mx/handle/20.500.12552/2641
Abstract
<jats:p>This article studies the archetypes and the iconography in contemporary Mexican films that deal with drug trafficking in order to examine the evolution of the <jats:italic>narco cinema</jats:italic> subgenre and changes in the representation of the <jats:italic>narcocultura</jats:italic>. The corpus is constituted by the
biggest box office hits each year between 2010 and 2017, which are analysed thematically. This study suggests that the characteristics of the <jats:italic>narcocultura</jats:italic> continue circulating within Mexican cinema, but it does not point to a subgenre’s existence. The genres circumscribing the
films analysed promote the <jats:italic>narcos</jats:italic>’ heroism via archetypes and iconography, which symbolize how <jats:italic>narcos</jats:italic> overcome their <jats:italic>modus vivendi</jats:italic> to stand as a legitimate authority against a corrupt government. Alongside this representation of <jats:italic>narcos</jats:italic>, these films also present
objectified women and promote values such as loyalty and family. The aforementioned archetypes and iconography offer a view of life in which violence is normalized, and crime is seen as a legitimate lifestyle.</jats:p>

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