Bravo, Nassim Federico
Preferred name
Bravo, Nassim Federico
Official Name
Bravo, Nassim
Alternative Name
fbravo
Federico Nassim Bravo
Main Affiliation
ORCID
0000-0003-1165-2496
Scopus Author ID
57218713141
Researcher ID
CGA-7419-2022
21 results
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Item type:Publication, La invasión silenciosa de la tecnología inteligente. Una relectura de “Los caballos de Abdera” de L. Lugones(2020); In this paper, the epistemological boundaries between myth and science fiction are elucidated within the story “Los caballos de Abdera” (Las fuerzas extrañas). It is shown that even though the narrative treatment proposed by the Argentine author is not science fiction, it offers a model of the naturalization of fantastic events. In the first part we discuss the hermeneutical keys of this Lugonian reading, underscoring the flexibility of myth to adapt itself to the narrative paradigms of different ages. Using this plasticity of the mythical form, in the second part we analyze the process of familiarization through which the excessive use of technology in our daily lives has become normal. The purpose of this is to outline one of the recurring themes in science fiction: the invasion of alien beings.Scopus© Citations 1 34 2 - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Johan Ludvig Heiberg y su diagnóstico de la crisis de la época en la Edad de Oro de Dinamarca(2022)<jats:p>En este artículo examino el diagnóstico elaborado por Johan Ludvig Heiberg acerca de la crisis de su época, la llamada Edad de Oro de Dinamarca, en su obra de 1833 Sobre la importancia de la filosofía para la época presente. A pesar de que en los últimos tiempos se ha mostrado un mayor interés por el mundo intelectual de la Edad de Oro danesa, en gran parte debido a la vigencia de un pensador como Søren Kierkegaard, lo cierto es que se conoce poco o nada acerca de una de sus más importantes figuras, J. L. Heiberg. Con esto en mente, en el presente artículo intento arrojar luz sobre su figura y su pensamiento, especialmente su proyecto de utilizar la filosofía hegeliana para resolver la crisis cultural de su tiempo.</jats:p>5 - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Hans Lassen Martensen’s “<i>New Poems</i> by J.L. Heiberg”(2024)<jats:title>Abstract</jats:title> <jats:p>In this article I offer an English translation of the first two installments of Hans Lassen Martensen’s review of the <jats:italic>New Poems</jats:italic> by Johan Ludvig Heiberg. The review was published in three installments in the periodical <jats:italic>Fædrelandet</jats:italic> in January 10 – 12, 1841. This is the first translation of Martensen’s review into English. I provide an introduction to the text in the foregoing article in this volume of the <jats:italic>Yearbook</jats:italic>, titled “Martensen’s Review of Heiberg’s <jats:italic>New Poems</jats:italic> and the Discussion on Speculative Poetry and the Crisis of the Age.”</jats:p>25 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Martensen’s Review of Heiberg’s <i>New Poems</i> and the Discussion on Speculative Poetry and the Crisis of the Age(2024)<jats:title>Abstract</jats:title> <jats:p>In this article I offer an introduction to Hans Lassen Martensen’s review of Heiberg’s <jats:italic>New Poems</jats:italic>, published in 1841. In his treatise <jats:italic>On the Significance of Philosophy</jats:italic> of 1833, the poet and philosopher Johan Ludvig Heiberg presented a diagnosis of what he perceived as the cultural crisis of the time. In his view, Danish society was afflicted by a frivolous and nihilistic worldview. A Hegel enthusiast, Heiberg thought that the cure for the crisis lay in a new philosophical perspective, capable of finding the universal and infinite within the particular and finite. But this was only possible to communicate through literature and, more specifically, through what he called <jats:italic>speculative poetry.</jats:italic> In the following years, Heiberg and his friend and colleague Martensen developed the notion of this new genre. This didactic campaign culminated with the publication of Heiberg’s <jats:italic>New Poems</jats:italic>, especially the piece “A Soul after Death,” accompanied by the review composed by Martensen.</jats:p>18
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