Año 4, No. 1. Enero-Junio (2022)

We present a sample or selection of perfor-mances -free or reduced-cost online cinema- originated by the pandemic, declared since March 2020 (now ex-actly 2 years ago), whose situation as of March 2022 is still, in a way, in force, although much more attenuated: however, some countries have now started the adminis-tration of a fourth anti-covid dose. In the field of training and research applied to cinema, film production contin-ues to be based on master classes, conferences, online seminars -webinars- and other online manifestations, although the increasingly widespread and frequent presence is already a fact. Closely related to the Spanish audiovisual industry, fundamentally cinematographic de las revistas Cineinforme (y también Teleinforme), aludiéndose especialmente a sus 60 años de historia cumplidos en 2021. Y en fin una breve mención a la co-laboración en algún momento establecida entre el edi-tor aludido y el autor de estas páginas, completándose la aportación con un nutrido repertorio de referencias electrónicas destacadas a lo largo del trabajo. Palabras-clave:Formación cinematográfica, industria del cine, investigación cinematográfica, postpandemia y cine, programación cinematográfica, Cineinforme.with allusions to the television industry related to cin-ema, an interview with the editor of Cineinforme (and also Teleinforme) magazines is included, with special reference to its 60 years of history in 2021. And finally, a brief mention to the collaboration at some point es-tablished between the aforementioned editor and the author of these pages, completing the contribution with a large repertoire of electronic references highlighted throughout the work.