Universidad Panamericana
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Item type:Publication, La oposición de dos propuestas educativas humanistas cristianas la erasmiana y la sepulvediana en la Antiapologia pro Alberto Pio(Universidad Nacional de Educación a Distancia (UNED), 2026); En el marco de la Reforma protestante, entre 1525 y 1531, Erasmo de Rotterdam y Alberto Pio sostuvieron un debate epistolar sobre la naturaleza de la mejor educación humanista cristiana. Ambos argumentaron a favor de la que cada uno consideró la mejor propuesta educativa. Habiendo llegado la discusión a un punto estancado, por el fallecimiento del príncipe de Carpi, Sepúlveda, en la Antiapologia, sintetizó y medió entre ambas propuestas. Sepúlveda es capaz de esta síntesis porque comprende los diferentes ámbitos, intereses y finalidades que los contendientes pretenden. El objetivo de la investigación es comparar las ideas de Erasmo, Alberto Pio y Juan Ginés por el contexto humanista que comparten, así como identificar las características en común y propias en función de tres ejes: el desarrollo del estilo, la lectura de los contenidos educativos clásicos, y el cultivo de una orientación cristiana de la vida. Igualmente se intenta esclarecer que la Antiapologia es una propuesta mediadora entre el tradicionalismo albertino, que sigue Sepúlveda, y la novedad erasmiana, pues ambos pensamientos comparten el estudio de los clásicos y la vida cristiana piadosa como su centro. Se concluye que el elemento que los diferencia es el estilo de la retórica didáctica de cada autor: la seriedad sepulvediana y la ironía erasmiana. © Los autores (2026), (Universidad Nacional de Educacion a Distancia (UNED)). The epistolary dispute between Alberto Pio, Prince of Carpi, and the Netherlander Erasmus of Rotterdam, which took place between 1525 and 1531 in the Reformation context, led to the mediation of the Spaniard Juan Ginés de Sepúlveda. Following the demise that the Italian took on the erasmian positions, Ginés authored the Antiapologia with the objective of mediating between the opinions of the Prince and those of Erasmus. The focal point of this research is centering on three key domains: the evolution and selection of the best Latin style, the interpretation of classical educational materials, both Greek, Latin and Patristic, and the nurturing of a pious Christian cosmovision. The initial Albertine vision, which had been adapted to tradition, liturgy and institutionality, was juxtaposed with the erasmian one, which was more innovative, individualistic, and religiously intimate. The assessment of both positions resulted as the sepulvedian judgement of both, which accepted the erasmian innovation, but attending to catholic orthodoxy. It is concluded that there are three joint considerations that Gines puts together from both discussing humanists: Latin style, piety, and classical and patristical contents. Beyond the analyzed texts, it is relevant to highlight the dialogue between tradition and modernity. © The authors (2026), (Universidad Nacional de Educacion a Distancia (UNED)). All rights reserved. - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Genetic Phenomenology of the Complementarity Between Surrealism and RadiologyIn the article, we explore, from the perspective of genetic phenomenology, the embodied image consciousness in terms of two distinct cases, i.e.: surrealism as social and/or artistic movement as well as radiology as cognitive and/or social praxis. Both scientifically and socially, consciousness is still regarded as coextensive with language, which has its own logic and its own set of relations, and imposes its order that conceals the duration as well as the discontinuity of (lived) experiential states. Certain media are able to disclose the very logic of manifestation (movement as the ground of identity) better than direct perception. While analyzing these instances of mediation, we can, on the other hand, experience the true insistence of language and the symbolic order within embodied consciousness. Hence, individual identity can appear in many ways. These ways are also the correlates of modes of medical imaging and surrealist artistic techniques. Both, in turn, presuppose certain skills (adapted to the manifestation of environments) to stabilize the perceptual constancy of an object in its multimodal appearances. © The authors © 2026, Zalozba Nova Revija. All rights reserved. Item type:Person, 29 4Scopus© H-Index 3 2Scopus© Cited By 86Scopus© Citations 103 4
